“First, I would bid you stand and see the place where the Lord lay with emotions of deep sorrow. O come, my beloved brother, thy Jesus once lay there. He was a murdered man, my soul, and thou the murderer.
“I slew Him—this right hand struck the dagger to His heart. My deeds slew Christ. Alas! I slew my best beloved: I killed Him who loved me with an everlasting love. Ye eyes, why do ye refuse to weep when ye see Jesus’ body mangled and torn? Oh! give vent to your sorrow, Christians, for ye have good reason to do so…. My soul was drowning. From heaven’s high portals He saw me sinking in the depths of hell. He plunged in.
‘He SANK beneath His heavy woes,
To raise me to a crown;
There’s ne’er a gift His hand bestows.
But cost His heart a groan.’
“Ah! we may indeed regret our sin, since it slew Jesus.
“Now, Christian, change thy note a moment. ‘Come, see the place where the Lord lay,’ with joy and gladness. He does not lie there now. Weep, when ye see the tomb of Christ, but rejoice because it is empty. Thy sin slew Him, but His divinity raised Him up. Thy guilt hath murdered Him, but His righteousness hath restored Him. Oh! He hath burst the bonds of death; He hath ungirt the cerements of the tomb, and hath come out more than conqueror, crushing death beneath His feet. Rejoice, O Christian, for He is not there—He is risen.” —Charles Spurgeon
I know this technically isn’t a “poem” but I found this allegory poetically beautiful. I hope you enjoy it as I did!
Sorrow was beautiful, but her beauty was the beauty of the moonlight shining through the leafy branches of the trees in the wood, and making little pools of silver here and there on the soft green moss below. When Sorrow sang, her notes were like the low sweet call of the nightingale, and in her eyes was the unexpectant gaze of one who has ceased to look for coming gladness. She could weep in tender sympathy with those who weep, but to rejoice with those who rejoice was unknown to her.
Joy was beautiful, too, but his was the radiant beauty of the summer morning. His eyes still held the glad laughter of childhood, and his hair had the glint of the sunshine’s kiss. When Joy sang his voice soared upward as the lark’s, and his step was the step of a conqueror who has never known defeat. He could rejoice with all who rejoice, but to weep with those who weep was unknown to him.
“But we can never be united,” said Sorrow wistfully.
“No, never.” And Joy’s eyes shadowed as he spoke. “My path lies through the sunlit meadows, the sweetest roses bloom for my gathering, and the blackbirds and thrushes await my coming to pour forth their most joyous lays.”
“My path,” said Sorrow, turning slowly away, “leads through the darkening woods, with moon-flowers only shall my hands be filled. Yet the sweetest of all earth-songs—the love song of the night—shall be mine; farewell, Joy, farewell.”
Even as she spoke they became conscious of a form standing beside them; dimly seen, but of a Kingly Presence, and a great and holy awe stole over them as they sank on their knees before Him.
“I see Him as the King of Joy,” whispered Sorrow, “for on His Head are many crowns, and the nail prints in His hands and feet are the scars of a great victory. Before Him all my sorrow is melting away into deathless love and gladness, and I give myself to Him forever.”
“Nay, Sorrow,” said Joy softly, “but I see Him as the King of Sorrow, and the crown on His head is a crown of thorns, and the nail prints in His hands and feet are the scars of a great agony. I, too, give myself to Him forever, for sorrow with Him must be sweeter than any joy that I have known.”
“Then we are one in Him,” they cried in gladness, “for none but He could unite Joy and Sorrow.”
Hand in hand they passed out into the world to follow Him through storm and sunshine, in the bleakness of winter cold and the warmth of summer gladness, “as sorrowful yet always rejoicing.” —Lettie Cowman